Anne of Green Gables Week: Plagiarizing Little Women

Perhaps you may have noticed before that the proposal scenes in Anne of Green Gables: The Sequel (1987) and in Little Women (1994) are eerily similar.  If you haven't noticed it, check out this (horribly bad-quality) video. 

Now, of course, the major difference between the two scenes is that Anne and Gilbert's story ends rather differently than Jo and Laurie's. But I am not going to go off on a rabbit trail about why I think Anne and Gil belonged together but Jo and Laurie didn't.  I am NOT.  Willpower, willpower.

Instead, I'll show you another instance where the two stories overlap a good bit.  Several instances, in fact.  I probably should have started here at the beginning in the first place... oh well.

In both stories, the main character attempts to publish a story in a magazine, and in both stories the hero reacts in pretty much the same way.  See below.

Yes, yes, yes, I know this picture isn't from that scene, but I like it. :)

"Very well, then, come on. It's a secret, and if I tell you, you must tell me yours."

"I haven't got any," began Jo, but stopped suddenly, remembering that she had.

"You know you have--you can't hide anything, so up and fess, or I won't tell," cried Laurie.

"Is your secret a nice one?"

"Oh, isn't it! All about people you know, and such fun! You ought to hear it, and I've been aching to tell it this long time. Come, you begin."

"You'll not say anything about it at home, will you?"

"Not a word."

"And you won't tease me in private?"

"I never tease."

"Yes, you do. You get everything you want out of people. I don't know how you do it, but you are a born wheedler."

"Thank you. Fire away."

"Well, I've left two stories with a newspaperman, and he's to give his answer next week," whispered Jo, in her confidant's ear.

"Hurrah for Miss March, the celebrated American authoress!" cried Laurie, throwing up his hat and catching it again, to the great delight of two ducks, four cats, five hens, and half a dozen Irish children, for they were out of the city now.

"Hush! It won't come to anything, I dare say, but I couldn't rest till I had tried, and I said nothing about it because I didn't want anyone else to be disappointed."

"It won't fail. Why, Jo, your stories are works of Shakespeare compared to half the rubbish that is published every day. Won't it be fun to see them in print, and shan't we feel proud of our authoress?"

~Little Women, chapter 14

Anne: What about Diana Barry?
Gilbert: Ah-uh.  Not until you spill the beans.
Anne: You won't say anything to your folks? Or Jane Andrews or Charlie Sloane?
Gilbert: [sighs] On my honor.
Anne: And you promise you won't ever tease me about this?
Gilbert: I wouldn't risk your anger.
Anne: [sighs, hands over envelope containing her story]
Gilbert: [reads from letter] Dear Miss Shirley. [smirk] We regret to return the enclosed manuscript "Averil's Atonement", but we are unable to accept it for publication.  Sincerely yours... Women's Home Journal magazine?
Anne: You know the story I wrote this spring? I'm... attempting to have it published.
Gilbert: [gasps] Anne, that's tremendous! [rings bicycle bell] Listen to this, everybody! Avonlea's public school teacher soon to become world-famous Canadian author---pphhhhh. [Anne claps her hand over his mouth]
Anne: It hasn't happened yet, you fool, and don't you dare tell anyone! [swats him with envelope]

~Anne of Green Gables: The Sequel (1987)

The of course there are a few other bits and snippets that sound rather alike. "I'm sorry!" Jo laments in the movie. "Meg always makes me take the gentleman's part at home! It's a shame you don't know the lady's part!"  Anne, similarly, apologizes for her bad dancing (but not because she's used to dancing the gentleman's part).  "I'm so sorry, Gil... I must have two left feet."  And of course, in both instances, each couple is dancing alone and away from the rest of the crowd, which is Quite Cute.

Do you see any other similarities between these two stories?  I'm inclined to think that Lucy Maud Montgomery stole at least a few ideas from Louisa May Alcott... or at least Sullivan Films did. :)  Then again, The Sequel was made seven years before Little Women, so perhaps Columbia Pictures were the plagiarizers. Or perhaps it is all a great coincidence.  ("You think that, Jane, if it gives you comfort.")

What do you think?

Period Drama Heroines #10: Jo March

"I keep turning over new leaves, and spoiling them, as I used to spoil my copybooks; and I make so many beginnings there never will be an end." ~Josephine March, Little Women

I'm starting at the bottom with my list of period drama heroines, and so Jo March will begin this series.

I love Jo, don't get me wrong. She isn't at the bottom because I don't like her; she's at the bottom because there are so many others that I like even more. Clear? Okay,

good. Somebody had to be at the bottom, and Jo usually gets left behind anyway, so she's used to it. "Well, of course Aunt March prefers Amy over me. Why shouldn't she? I'm ugly and awkward and I always say the wrong things. I fly around throwing away perfectly good marriage proposals." (Little Women, 1994)

Louisa May Alcott created Jo (partly from her own memories of herself as a girl) in 1868, and since then Jo has been loved by readers all across the world. Oddly enough, she's not a model heroine--Alcott spends more time discussing Jo's faults than extolling her virtues. "A quick temper, sharp tongue, and restless spirit were always getting her into scrapes, and her life was a series of ups and downs, which were both comic and pathetic." For a mid-Victorian novel written for girls, such a heroine was not the fashion. Girls' books of that day tended towards pale, beautiful maidens who fainted on couches and spent their time being rescued by dashing heroes or dazzling their friends at balls. But not Jo. "I hate to think that I've got to grow up, and be Miss March, and wear long gowns, and look prim as a China aster!" she complains.

Jo isn't a wishy-washy heroine. She's different. She's fiercely loyal, wonderfully clever, unashamedly frugal, happily imaginative, protective of her sisters while longing to be by herself, and she writes compulsively. (My kind of girl.) Her sister Beth says, "You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone."

June Allyson as Jo in Little Women (1949)

Of the four close-knit March sisters, it is Jo who is destined for greatness. When the girls discuss their castles in the air, Jo envisions a stable full of Arabian steeds, a library of books, a magic inkstand that never runs out and the satisfaction of having done some great deed for the good of humanity. "I think I shall write books and get rich and famous; that would suit me, so that is my favorite dream."

Despite her dreams of wealth and fame, Jo is anything but mercenary. She writes stories to help support her family, not because she covets filthy lucre. Her generous spirit is always on the lookout for someone to help. "If lack of attention to personal finances is a mark of refinement," she announces in the 1994 movie, "then I say the Marches must be the most elegant family in Concord!" When Marmee needs money to travel to Washington and nurse Father, Jo unhesitatingly sells her hair--her "one beauty"--rather than beg from Aunt March. Later Meg finds her crying over the loss of her hair, but she assures Meg that she isn't sorry: "I'd do it again tomorrow, if I could."

Another of Jo's attributes is her open frankness and honesty. This wasn't exactly an admirable trait for a young lady in those days, but Jo blithely ignored convention and said what she wanted to say. The 1994 movie adaptation (which IMHO is the best so far, though a truly faithful movie has yet to be made) portrays Jo as a "strong-minded woman" with decided feminist tendencies. Though I don't completely agree with this version of her, she had a few good things to say. "I find it poor logic to say that because women are good, women should vote. Men do not vote because they are good; they vote because they are male, and women should vote, not because we are angels and men are animals, but because we are human beings and citizens of this country." Some parts of this movie were blatantly feminist and rather out of character at times, but this quote from Jo sounds like something she might say.

Katharine Hepburn as Jo in Little Women (1933)

Of course, Jo's most oft-used expression is her trademark, "Christopher Columbus!" anytime something surprises her. This, too, was not particularly becoming for a proper young lady. Nor was her "bad trick of standing before the fire, so [she] burns [her] frocks." Nor was her love of the outdoors, her liking for boyish games, and her scorn of frills and fine feathers. Jo is a hard worker and doesn't mind doing menial tasks--in fact, she says it frees her mind. In her poem A Song from the Suds, she says, "I am glad a task to me is given/ To labor at day by day;/ For it brings me health and strength and hope/ And I cheerfully learn to say,/ "Head, you may think; Heart, you may feel,/ But Hand, you shall work alway!"

Though this isn't mentioned in the book or any of the movies, I imagine that Jo's refusal of Laurie's proposal made a few neighbors' tongues click with disapproval. Laurie was young, rich, handsome, charismatic, and head-over-heels in love with Jo (or so he thought). He could offer her everything she'd ever wanted, and the match seemed meant to be. "Everybody expected it." But Jo knew that she and Laurie weren't compatible, and in the end she married the wonderful Professor Bhaer.

Winona Ryder and Christian Bale as Jo March and Laurie Laurence

Jo knows right from wrong--and she's not afraid to follow her conscience instead of following the crowd. While in New York, writing for sensational newspapers, she tries to ignore the doubt that creeps into her mind despite the happiness of sending money home. Is she really doing the right thing? Professor Bhaer is the one who brings her to her senses, and as she burns the trashy stories, she laments to herself, "If I didn't care about doing right and didn't feel uncomfortable doing wrong, I should get on capitally." But there's the rub-- Jo does indeed care about doing right.

Winona Ryder as Jo in Little Women (1994)

So that's "my Jo," in a nutshell. Or, at least, that would be Jo in a nutshell if it were proper for young ladies to crack nuts. Which it was not in Jo's times, but Jo cracked and ate nuts anyway.

Because that's just the way she is.